Feature spec
Goal: Send a clear invoice after finishing a job.
- Add a client, line items, a due date, and payment instructions.
- Preview the total before exporting a PDF.
- Keep an editable draft if export fails.
Artemis offers a comprehensive database of professional motion picture cameras and lenses, with the facility to add any custom camera format
$29.99 · In-app purchases
Evidence scope: No current overall US chart position is available. Category-chart positions shown in discovery are a separate scope. Revenue is a directional model estimate, not verified earnings.
A product spec, screen plans, and build steps for your coding agent.
First kit free with a verified email
Combine features and design from your favorite apps.
Kit ready. Verify your email to download it.
Generating… usually about a minute.
What should your app do differently? Your note travels with the kit so your coding agent builds around your idea.
A product spec, phased build plan, differentiation notes, and screen references.
Illustrative example: an invoice app for independent contractors. Your kit is tailored to the app you choose; this is not its generated content.
Goal: Send a clear invoice after finishing a job.
Invoice editor: Client at the top, editable line items in the middle, total and preview action at the bottom.
States: Empty draft, validation errors beside each field, exporting, and a retry action that preserves the draft.
Hypothesis: Contractors need faster repeat invoices more than more templates.
First experiment: Test duplicating a previous job with five contractors. Watch where they hesitate before expanding the feature set.
The full kit adds a phased build plan, evidence notes, tool prompts, and implementation guidance. It is a plan for your coding agent, not a finished app.
Usage: Mechanics are fair game; never reuse the original name, branding, assets, or verbatim copy.
JavaScript is required to complete mailbox verification.
Good fit for mobile-first iOS and Android prototypes with managed app scaffolding.
Rork plan preview for Artemis Director's Viewfinder: map the core Photo & Video workflow, choose the smallest differentiated feature set, define the data and monetization boundaries, then prototype the riskiest user journey first.
Preview ready. Verify your email to reveal and copy the full prompt.
JavaScript is required to complete mailbox verification. Return to this prompt preview.
Affiliate link: CloneChart may earn a commission at no extra cost
These are generated suggestions, not verified review quotations. Check current App Store reviews and speak with users before treating a possible gap as a requirement.
Hypothesis 1
Assumption to check: Limited lens options compared to other apps
Validate with people who use this workflow before building.
Hypothesis 2
Assumption to check: Inconsistent performance on older devices
Validate with people who use this workflow before building.
Hypothesis 3
Assumption to check: Lack of user support and documentation
Validate with people who use this workflow before building.
Hypothesis 4
Assumption to check: High initial cost for a niche audience
Validate with people who use this workflow before building.
Original App Store material. Ratings and screenshots describe the existing app, not proof of demand for your version.
Artemis offers a comprehensive database of professional motion picture cameras and lenses, with the facility to add any custom camera format. Hear from our users: Roger Deakins ASC, BSC: Cinematographer (Two Academy Awards wins, 16 nominations) Blade Runner 2049, Sicario, James Bond: Skyfall, The Shawshank Redemption - “It’s great having Artemis on my iPhone. Since I always have my phone with me, I always have a viewfinder at hand. Not only convenient but extremely accurate.” Claudio Miranda ASC: Cinematographer Top Gun: Maverick, F1, Life of Pi, Benjamin Button, Oblivion - “I've been using Artemis from the very beginning. I love that it's a shared tool. First between the director and myself. Then once we approve shots, the images from Artemis get shared with the crew.” Kate Dennis DGA: Director The Handmaid’s Tale, Glow, The Serpent Queen - "Artemis has streamlined my communication with cinematographers, VFX supervisors and other Heads of Department. Now we all know that we are talking about the exact same frame!" Linus Sandgren FSF: Cinematographer Saltburn, La La Land, Babylon, Joy, American Hustle - "Artemis is an amazing Swiss army knife style lens kit that has helped me frame up countless shots in any format in an instant.” Matthew Libatique ASC: Cinematographer Maestro, A Star is Born, Black Swan, Requiem for a Dream, The Fountain - "Not only do I frame every shot with Artemis , I use it to record blocking rehearsals and as part of my process when debating lens and format choices as I work with a director and production designer while location scouting.” Nicolas Winding Refn: Director Too Old to Die Young, The Neon Demon, Only God Forgives, Pusher - "Artemis Pro has tapped into the way of the future by taking full advantage of the digital revolution. The app quickly became an essential tool to capturing my vision.” Mandy Walker ASC, ACS: Cinematographer Elvis, Mulan,, Hidden Figures, Truth, Australia - "Both Artemis & Artemis Prime are essential tool when scouting locations, allowing accurate information to pass from the director and DP to the crew" Barry Ackroyd BSC: Cinematographer Jason Bourne, The Big Short, Captain Phillips, Hurt Locker - "Artemis makes me feel smarter than I was without it. It’s the sharpest tool on my iPhone.” Toby Oliver ACS Cinematographer Get Out, M3GAN 2.0, Happy Death Day, Insidious IV, Wolf Creek 2 - "Artemis Pro is so well thought out. You can precisely choose the camera package and lenses you have to hand to obtain exact ideas of shot angles and sizes on the location survey.” Darius Khondji ASC, AFC, ACS: Cinematographer Bardo, Okja, The Lost City of Z, Delicatessen, Se7en - "Artemis is the best cinematic tool of modern times. I started using Artemis in 2010 and have loved it ever since. It is so accurate with up to date lenses, cameras and formats. It is always with us on scouts and during shoots. Artemis allows the director and I to share how we see things with each other and with the rest of the crew.” Robert McLachlan ASC, CSC: Director / Cinematographer Landman, Yellowstone, Game of Thrones, Westworld - “On Game of Thrones we scouted locations months in advance. Artemis allowed me to communicate our needs to the VFX and art departments. It was critical in planning the Dance of Dragons sequence.” Craig Zobel: Director Westworld, American Gods, The Leftovers, The Penguin - “I use Artemis on a daily basis. Both on set where it saves so much time, but also to help plan for a shoot, as accurate photo storyboards have become so useful. I can't imagine filming without it these days. I always have my phone, so I always have a viewfinder.” Artemis also offers: - Virtual Stand-Ins, to assist in blocking actors - Custom Frame-lines - Share camera & lens setups with other Artemis users - Record Images & Videos - Gallery for sorting and planning - Export of Shot-lists & Storyboards - Export of detailed Shot-Plans with sun position data (if paired with the Helios app)
Written user reviews are not shown here. Check current App Store reviews >
Plan a focused first version with your coding agent. These are planning assumptions, not a delivery guarantee.
Choose one audience and one core workflow. Use the kit to agree on its screens, data, and acceptance criteria before building.
Decide which secondary features, integrations, and platform support can wait. Your version does not need to reproduce everything in the original.
Validate external services, specialist technology, data access, and ongoing costs for your chosen scope.
From the Build Kit assessment.
A reliable timeline needs an agreed scope and a technical check. Ask your agent to estimate the phases in BUILD_PLAN.md after that review.